15 Most Prestigious Film Festivals On The Earth
The technique of "category A festival" isn't formally defined, but this is why prestigious international shows by using a non-specialized competitive program are traditionally called.
Almost all of the major and prestigious film festivals are accredited by the International Federation of Film Producers Associations (FIAPF). FIAPF was formed the government financial aid 1933, https://greenhornfestival.com/ - https://greenhornfestival.com/, and already it contains 34 associations (including the Guild of Russian Producers) from 29 countries. In addition to the "licensing" of festivals, FIAPF's division of interest includes the process of the regulation and regulation of work processes inside the film and television industry: modernization of copyright legislation, combating piracy, improvement digital technologies, standardization, work while using media, etc. While using issuance of FIAPF accreditation, the concept of "class A" festivals (that is, the favourite, status events) is associated, which has now become conditional, but is preserved within the journalistic dictionary. It truly is understood that such festivals are stuck countries where you will find a long-term cinematic tradition, use a non-specialized competition having a minimum of 12 full-length films (usually premieres and not participating in competitions of other international film festivals) from different countries, a world jury and official support from their state level. There are not more than one "A" class festival in a given country.
Berlinale
Berlin, Germany / founded in 1951
The primary class "A" festival while in the FIAPF calendar, starting at the beginning of February, ends up being concurrently just about the most significant (and possibly the favorite and most used while in the world). The Berlinale levels of competition are being formed to make sure a large representation of European cinematographies. It is usually belief that films shot from the traditional manner and films with political themes are more often selected here.
Curators compose individual programs presented for the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who to be able to get into the main competition might be contained in the reduced programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema is already shown in other sellers in the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) as well as in programs of an lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in dimensions to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films for the market) plus a co-production market. They don't overlook the development of young talents, inviting those to be in the projects Berlinale Residency (a three-month residence in Berlin using a scholarship of 1,500 euros for directors or screenwriters, who are helped by experts to create projects to mind) and Berlinale Talents (short-term training programs for annually recruited sets of film school students from within the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is considered the most reputable (though not the oldest) film festival to the planet. It is extremely hard to come by here, but this kind of opportunity, as practice shows, always remains. A newbie director, of course, shouldn't seriously rely on coming into the principle programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. As well as the above, the parallel program "Directors Fortnight", which premiered through the French Guild of Film Directors way back in 1969, is now widely known and quite often ends up being believe it or not interesting than the primary competition.
The respectful attitude of Cannes for the Soviet and Russian cinematic tradition is manifested at least in the reality that the festival website and the chief documents needed for filing a credit card applicatoin are translated into Russian. It's not necessary to go far for samples of Russian films that received awards in Cannes: this year the prize for top level script was awarded to Andrey Zvyagintsev's Leviathan, and 2012, Taisiya Igumentseva took the main prize in the Cinefondation competition (since the Cannes rules demand a screen full-length debut of your winner, our next picture of Mrs. Igumentseva have also been shown at the festival, albeit out of competition).
Probably the most prestigious festival, obviously, been able to buy the largest film market. In 2014, greater than 11,000 professionals located France, representing about 5,000 companies from 116 countries. 5,200 films were presented on the film market, 960 of which in fact had screenings (in most cases, premieres).
