15 Most Prestigious Film Festivals On The Earth
The technique of "category A festival" will not be formally defined, but there are numerous ways prestigious international shows by using a non-specialized competitive program are traditionally called.
The majority of the major and prestigious film festivals are accredited with the International Federation of Film Producers Associations (FIAPF). FIAPF was formed way back in 1933, and now it includes 34 associations (including the Guild of Russian Producers) from 29 countries. Along with the "licensing" of festivals, FIAPF's division of interest includes the process of the regulation and unsafe effects of work processes while in the film and television industry: modernization of copyright legislation, combating piracy, the creation of digital technologies, standardization, work with all the media, etc. Together with the issuance of FIAPF accreditation, the thought of "class A" festivals (that is, the most famous, status events) is associated, which has now become conditional, but continues to preserved from the journalistic dictionary. It truly is understood that such festivals are kept in countries where we have a long-term cinematic tradition, possess a non-specialized competition for a minimum of 12 full-length films (usually premieres instead of engaged in competitions of other international film festivals) from different countries, a world jury and official support from their state level. There can be at most one "A" class festival in almost any given country.
Berlinale
Berlin, Germany / founded in 1951
The primary class "A" festival in the FIAPF calendar, starting noisy . February, is all at once just about the most significant (and probably the most useful within the world). The Berlinale competitors are being formed to guarantee a diverse representation of European cinematographies. Also, it is belief that films shot while in the traditional manner and films with political themes will be more often selected here.
Curators compose individual programs presented with the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who fight to enter into the main competition could be included in the reduced programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema is already shown in the opposition in the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) along with programs of any lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in space to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films to the market) including a co-production market. They just don't overlook the growth and development of young talents, inviting these phones be in the projects Berlinale Residency (a three-month residence in Berlin having a scholarship of 1,500 euros for directors or screenwriters, who are helped by experts to bring projects to mind) and Berlinale Talents (short-term training programs for annually recruited categories of film school students from across the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is among the most reputable (though not the oldest) film festival around the planet. It is quite hard to find here, but a very opportunity, as practice shows, always remains. A novice director, not surprisingly, should not seriously expect getting into the key programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Beyond the above, the parallel program "Directors Fortnight", which was introduced by the French Guild of Film Directors the government financial aid 1969, happens to be reputed and quite often turns out to be believe it or not interesting than the leading competition.
The respectful attitude of Cannes to your Soviet and Russian cinematic tradition is manifested a minimum of in the fact that the festival website and https://greenhornfestival.com/ [https://greenhornfestival.com] the main documents important for filing a software are translated into Russian. There's no need to go far for degrees of Russian films that received awards in Cannes: this holiday season the prize for the best script was awarded to Andrey Zvyagintsev's Leviathan, and in 2012, Taisiya Igumentseva took the main prize of your Cinefondation competition (since the Cannes rules demand a screen full-length debut with the winner, the following picture of Mrs. Igumentseva had also been shown within the festival, albeit away from competition).
The most prestigious festival, of course, been able to buy the largest film market. In 2014, over 11,000 professionals came to France, representing about 5,000 companies from 116 countries. 5,200 films were presented in the film market, 960 of which have screenings (in most cases, premieres).
