15 Most Prestigious Film Festivals On This Planet
The idea of "category A festival" will not be formally defined, but this is one way prestigious international shows using a non-specialized competitive program are traditionally called.
Many of the major and prestigious film festivals are accredited with the International Federation of Film Producers Associations (FIAPF). FIAPF was formed back 1933, and after this its content has 34 associations (including the Guild of Russian Producers) from 29 countries. Besides the "licensing" of festivals, FIAPF's area of interest includes the business of the regulation and dangerous work processes from the film and television industry: modernization of copyright legislation, slowing piracy, the introduction of digital technologies, standardization, work with the media, etc. With the issuance of FIAPF accreditation, the method of "class A" festivals (that is, the most famous, status events) is associated, which has already become conditional, but continues to preserved in the journalistic dictionary. It can be understood that such festivals are residing in countries where you will find there's long-term cinematic tradition, have a very non-specialized competition for at least 12 full-length films (usually premieres instead of taking part in competitions of other international film festivals) from different countries, a major international jury and official support from the state of hawaii level. There are no greater than one "A" class festival in a different given country.
Berlinale
Berlin, Germany / founded in 1951
The very first class "A" festival inside the FIAPF calendar, starting at the beginning of February, is as well one of the most significant (and perhaps the most useful inside the world). The Berlinale level of competition is being formed to guarantee an easy representation of European cinematographies. It is usually thought films shot inside the traditional manner and films with political themes are definitely more often selected here.
Curators compose individual programs presented with the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who battle to wind up in the chief competition is probably as part of the reduced programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema is already shown in your competitors on the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus programs of an lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in space to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films on the market) and a co-production market. They do not neglect the growth of young talents, inviting these to take part in the projects Berlinale Residency (a three-month residence in Berlin using a scholarship of 1,500 euros for directors or screenwriters, who will be helped by experts to get projects to mind) and Berlinale Talents (short-term training programs for annually recruited groups of film school students from throughout the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is among the most reputable (though not the oldest) film festival around the planet. It is very difficult to get here, but this type of opportunity, as practice shows, https://greenhornfestival.com/ (https://greenhornfestival.com) always remains. An ignorant director, certainly, shouldn't seriously trust in getting into the primary programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Besides the above, the parallel program "Directors Fortnight", which premiered by way of the French Guild of Film Directors the government financial aid 1969, happens to be well known and sometimes actually is no less interesting than the chief competition.
The respectful attitude of Cannes on the Soviet and Russian cinematic tradition is manifested at least in the reality that the festival website and the chief documents essential for filing a credit application are translated into Russian. It's not necessary to go far for instances of Russian films that received awards in Cannes: in 2010 the prize for top script was awarded to Andrey Zvyagintsev's Leviathan, and in 2012, Taisiya Igumentseva took the principle prize from the Cinefondation competition (since the Cannes rules demand a screen full-length debut on the winner, the following picture of Mrs. Igumentseva was also shown for the festival, albeit from competition).
Essentially the most prestigious festival, of course, had been get the largest film market. In 2014, greater than 11,000 professionals arrived at France, representing about 5,000 companies from 116 countries. 5,200 films were presented within the film market, 960 of which have screenings (in most cases, premieres).
