15 Most Prestigious Film Festivals On The Earth
The thought of "category A festival" is not formally defined, but there are numerous ways prestigious international shows having a non-specialized competitive program are traditionally called.
Many of the major and prestigious film festivals are accredited by way of the International Federation of Film Producers Associations (FIAPF). FIAPF was formed in 1933, and already it contains 34 associations (including the Guild of Russian Producers) from 29 countries. As well as the "licensing" of festivals, FIAPF's division of interest includes the business of the regulation and unsafe effects of work processes within the film and television industry: modernization of copyright legislation, fighting against piracy, enhancing digital technologies, standardization, work with the media, etc. With all the issuance of FIAPF accreditation, the concept of "class A" festivals (that is, the favourite, status events) is associated, which has recently become conditional, but continues to be preserved inside journalistic dictionary. It is understood that such festivals are stuck countries where you will find a long-term cinematic tradition, have got a non-specialized competition that is at least 12 full-length films (usually premieres but not involved in competitions of other international film festivals) from different countries, a global jury and official support from the state of hawaii level. There may be not more than one "A" class festival in a different given country.
Berlinale
Berlin, Germany / founded in 1951
The 1st class "A" festival while in the FIAPF calendar, starting noisy . February, turns out to be while doing so the most significant (and possibly the most useful within the world). The Berlinale level of competition is being formed to be certain an extensive representation of European cinematographies. Additionally it is thought that films shot in the traditional manner and flicks with political themes tend to be often selected here.
Curators compose individual programs presented with the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who battle to go into the main competition may well be contained in the reduced programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema was already shown in the opposition with the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus programs of the lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in size to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films within the market) and also a co-production market. They cannot forget about the growth of young talents, inviting them to take part in the projects Berlinale Residency (a three-month residence in Berlin having a scholarship of 1,500 euros for directors or https://greenhornfestival.com/; https://greenhornfestival.com/, screenwriters, that are helped by experts to get projects to mind) and Berlinale Talents (short-term training programs for annually recruited teams of film school students from within the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is easily the most reputable (though not the oldest) film festival within the planet. It's very rare to find here, but such an opportunity, as practice shows, always remains. A newbie director, not surprisingly, ought not seriously depend on getting into the primary programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. As well as the above, the parallel program "Directors Fortnight", which was introduced through the French Guild of Film Directors way back in 1969, has become widely known and sometimes is believe it or not interesting than the primary competition.
The respectful attitude of Cannes towards Soviet and Russian cinematic tradition is manifested at least in the fact that the festival website and the key documents essential for filing a credit application are translated into Russian. You don't have to go far for examples of Russian films that received awards in Cannes: this holiday season the prize for the greatest script was awarded to Andrey Zvyagintsev's Leviathan, as well as in 2012, Taisiya Igumentseva took the key prize of the Cinefondation competition (since the Cannes rules need a screen full-length debut on the winner, the following picture of Mrs. Igumentseva had also been shown on the festival, albeit from competition).
The most prestigious festival, certainly, were buy the largest film market. In 2014, above 11,000 professionals came to France, representing about 5,000 companies from 116 countries. 5,200 films were presented at the film market, 960 of which in fact had screenings (in most all cases, premieres).
