15 Most Prestigious Film Festivals On The Planet

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The thought of "category A festival" will not be formally defined, but this is why prestigious international shows that has a non-specialized competitive program are traditionally called.

A lot of the major and prestigious film festivals are accredited by way of the International Federation of Film Producers Associations (FIAPF). FIAPF was formed back 1933, and after this its content has 34 associations (including the Guild of Russian Producers) from 29 countries. Besides the "licensing" of festivals, FIAPF's area of ​​interest includes issues related to the regulation and dangerous work processes within the film and tv industry: modernization of copyright legislation, the fight against piracy, the creation of digital technologies, standardization, work using the media, https://greenhornfestival.com/ (greenhornfestival.com) etc. Using the issuance of FIAPF accreditation, the idea of "class A" festivals (that is, the most famous, status events) is associated, which has now become conditional, but remains preserved inside the journalistic dictionary. It can be understood that such festivals are located in countries where you will find there's long-term cinematic tradition, have a non-specialized competition having a minimum of 12 full-length films (usually premieres and not doing competitions of other international film festivals) from different countries, a global jury and official support from hawaii level. There might be no more than one "A" class festival in any given country.

Berlinale
Berlin, Germany / founded in 1951

The initial class "A" festival inside FIAPF calendar, starting at the begining of February, ends up being while doing so essentially the most significant (and perhaps the favorite and most used inside the world). The Berlinale competition is being formed to be sure an easy representation of European cinematographies. It is usually believed that films shot while in the traditional manner and flicks with political themes tend to be often selected here.

Curators compose individual programs presented within the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who find it hard to enter into the principle competition may well be within the decreased programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema has been shown in the opposition from the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) along with programs of the lower rank (recent films by Alexei Mizgirev and Anna Melikyan).

The Berlin Film Festival also hosts the extremely large European Film Market, comparable in dimensions to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films within the market) and a co-production market. They do not overlook the continuing development of young talents, inviting them to take part in the projects Berlinale Residency (a three-month residence in Berlin by using a scholarship of 1,500 euros for directors or screenwriters, who are helped by experts to take projects to mind) and Berlinale Talents (short-term training programs for annually recruited multiple film school students from around the world).

Festival de Cannes
Cannes, France / founded in 1946

Cannes is among the most reputable (though not the oldest) film festival about the planet. This can be very nearly impossible to find here, but this opportunity, as practice shows, always remains. An unskilled director, of course, should not seriously depend on getting into the primary programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Besides the above, the parallel program "Directors Fortnight", which was released from the French Guild of Film Directors back 1969, happens to be well regarded and they often turns out to be no less interesting than the main competition.

The respectful attitude of Cannes towards Soviet and Russian cinematic tradition is manifested no less than in the fact the festival website and the leading documents essential for filing a software are translated into Russian. You won't have to go far for types of Russian films that received awards in Cannes: this current year the prize for the greatest script was awarded to Andrey Zvyagintsev's Leviathan, and in 2012, Taisiya Igumentseva took the key prize from the Cinefondation competition (since the Cannes rules need a screen full-length debut on the winner, our next picture of Mrs. Igumentseva have also been shown for the festival, albeit beyond competition).

One of the most prestigious festival, not surprisingly, were get the largest film market. In 2014, over 11,000 professionals reached France, representing about 5,000 companies from 116 countries. 5,200 films were presented for the film market, 960 of which in fact had screenings (in many examples, premieres).