15 Most Prestigious Film Festivals In The World

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The technique of "category A festival" seriously isn't formally defined, but this is how prestigious international shows that has a non-specialized competitive program are traditionally called.

Most of the major and prestigious film festivals are accredited with the International Federation of Film Producers Associations (FIAPF). FIAPF was formed back in 1933, now it has 34 associations (including the Guild of Russian Producers) from 29 countries. Along with the "licensing" of festivals, FIAPF's section of ​​interest includes the business of the regulation and controlling the harmful work processes inside film and television industry: modernization of copyright legislation, the fight against piracy, the roll-out of digital technologies, standardization, work using the media, etc. With all the issuance of FIAPF accreditation, the thought of "class A" festivals (that is, the most famous, status events) is associated, which has now become conditional, but is still preserved inside journalistic dictionary. It's understood that such festivals are located in countries where we have a long-term cinematic tradition, have got a non-specialized competition of at least 12 full-length films (usually premieres instead of doing competitions of other international film festivals) from different countries, an international jury and official support from nys level. There are no more than one "A" class festival in every given country.

Berlinale
Berlin, Germany / founded in 1951

The earliest class "A" festival in the FIAPF calendar, starting at the begining of February, ends up being concurrently the single most significant (and the most visited from the world). The Berlinale levels of competition are being formed to ensure a broad representation of European cinematographies. Also, it is considered that films shot from the traditional manner and flicks with political themes tend to be often selected here.

Curators compose individual programs presented within the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who fight to go into the main competition could well be as part of the decreased programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema has been shown in your competitors in the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus programs of any lower rank (recent films by Alexei Mizgirev and Anna Melikyan).

The Berlin Film Festival also hosts the extremely large European Film Market, comparable in space to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films to the market) plus a co-production market. They cannot leave out the continuing development of young talents, inviting those to take part in the projects Berlinale Residency (a three-month residence in Berlin having a scholarship of 1,500 euros for https://greenhornfestival.com/; simply click the up coming internet site, directors or screenwriters, that happen to be helped by experts to get projects to mind) and Berlinale Talents (short-term training programs for annually recruited teams of film school students from around the world).

Festival de Cannes
Cannes, France / founded in 1946

Cannes is easily the most reputable (though not the oldest) film festival about the planet. It's very difficult to acquire here, but this kind of opportunity, as practice shows, always remains. An inexperienced director, of course, must not seriously trust in coming into the principle programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Beyond the above, the parallel program "Directors Fortnight", which was published from the French Guild of Film Directors back 1969, is well regarded and frequently turns out to be no less interesting than the leading competition.

The respectful attitude of Cannes for the Soviet and Russian cinematic tradition is manifested no less than in the truth that the festival website and the leading documents required for filing a software are translated into Russian. It's not necessary to go far for instances of Russian films that received awards in Cannes: this year the prize to get the best script was awarded to Andrey Zvyagintsev's Leviathan, plus in 2012, Taisiya Igumentseva took the leading prize in the Cinefondation competition (since the Cannes rules call for a screen full-length debut of your winner, our next picture of Mrs. Igumentseva was also shown at the festival, albeit from competition).

One of the most prestigious festival, naturally, were buy the largest film market. In 2014, in excess of 11,000 professionals located France, representing about 5,000 companies from 116 countries. 5,200 films were presented on the film market, 960 of that had screenings (in most examples, premieres).