15 Most Prestigious Film Festivals On This Planet
The technique of "category A festival" is not formally defined, but some of the ways prestigious international shows which has a non-specialized competitive program are traditionally called.
Most of the major and prestigious film festivals are accredited by the International Federation of Film Producers Associations (FIAPF). FIAPF was formed last 1933, and now it has 34 associations (including the Guild of Russian Producers) from 29 countries. In addition to the "licensing" of festivals, FIAPF's division of interest includes issues related to the regulation and controlling the harmful work processes in the film and television industry: modernization of copyright legislation, slowing piracy, enhancing digital technologies, standardization, work with the media, etc. Together with the issuance of FIAPF accreditation, the idea of "class A" festivals (that is, the most famous, status events) is associated, which has become conditional, https://greenhornfestival.com/ [check over here] but is preserved from the journalistic dictionary. It's understood that such festivals are locked in countries where you will find a long-term cinematic tradition, use a non-specialized competition for at least 12 full-length films (usually premieres rather than participating in competitions of other international film festivals) from different countries, a worldwide jury and official support from nys level. There can be no more than one "A" class festival in different given country.
Berlinale
Berlin, Germany / founded in 1951
The first class "A" festival inside the FIAPF calendar, starting at the begining of February, ends up being at the same time one of the most significant (and maybe the popular in the world). The Berlinale competition is being formed to make sure a broad representation of European cinematographies. It's also considered that films shot inside traditional manner and flicks with political themes are usually more often selected here.
Curators compose individual programs presented within the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who struggle to wind up in the key competition might be within the less significant programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema has been shown in other sellers in the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus programs of the lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in size to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films around the market) plus a co-production market. They don't ignore the development of young talents, inviting the crooks to have fun with the projects Berlinale Residency (a three-month residence in Berlin using a scholarship of 1,500 euros for directors or screenwriters, who're helped by experts to get projects to mind) and Berlinale Talents (short-term training programs for annually recruited multiple film school students from throughout the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is the most reputable (though not the oldest) film festival on the planet. It's very difficult to acquire here, but such an opportunity, as practice shows, always remains. An unsophisticated director, naturally, probably should not seriously depend on stepping into the primary programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Besides the above, the parallel program "Directors Fortnight", which was already released because of the French Guild of Film Directors way back in 1969, is now well-known and often ends up being no less interesting than the principle competition.
The respectful attitude of Cannes for the Soviet and Russian cinematic tradition is manifested not less than in the reality that the festival website and the principle documents meant for filing an application are translated into Russian. You won't have to go far for degrees of Russian films that received awards in Cannes: this holiday season the prize to get the best script was awarded to Andrey Zvyagintsev's Leviathan, and in 2012, Taisiya Igumentseva took the primary prize of the Cinefondation competition (since the Cannes rules require a screen full-length debut from the winner, another picture of Mrs. Igumentseva had also been shown with the festival, albeit out from competition).
The best prestigious festival, not surprisingly, been able to buy the largest film market. In 2014, in excess of 11,000 professionals came to France, representing about 5,000 companies from 116 countries. 5,200 films were presented in the film market, 960 of that have screenings (in most cases, premieres).
